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Book Title: Garden Party and Other Stories|
The author of the book: Katherine Mansfield
Edition: Barnes & Noble
Date of issue: September 1st 2009
ISBN 13: 9781411431386
Format files: PDF
The size of the: 38.99 MB
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Reader ratings: 5.2
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By the end of the twentieth century, Katherine Mansfield had assumed her place with Edgar Allen Poe and Anton Chekhov as one of the world's most admired and respected short story writers.brbrHer best-known stories, "The Garden Party," "Her First Ball," and "The Daughters of the Late Colonel," are widely appreciated and frequently anthologized as masterpieces of the short story form. One of a handful of writers whose names have become synonymous with British modernism, Mansfield was viewed by Virginia Woolf as her most formidable professional rival and fictionalized by D. H. Lawrence as the independent, artistic Gudrun Brangwen in his novel IWomen in Love./I After her death from tuberculosis in 1923 at age thirty-four, her posthumous reputation was fueled by the tireless (but also self-serving) efforts of her editor and husband, John Middleton Murry.
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Read information about the authorKathleen Mansfield Murry was a prominent New Zealand modernist writer of short fiction who wrote under the pen name of Katherine Mansfield.
Katherine Mansfield is widely considered one of the best short story writers of her period. A number of her works, including "Miss Brill", "Prelude", "The Garden Party", "The Doll's House", and later works such as "The Fly", are frequently collected in short story anthologies. Mansfield also proved ahead of her time in her adoration of Russian playwright and short story writer Anton Chekhov, and incorporated some of his themes and techniques into her writing.
Katherine Mansfield was part of a "new dawn" in English literature with T S Elliot, James Joyce and Virginia Woolf. She was associated with the brilliant group of writers who made the London of the period the centre of the literary world.
Nevertheless, Mansfield was a New Zealand writer - she could not have written as she did had she not gone to live in England and France, but she could not have done her best work if she had not had firm roots in her native land. She used her memories in her writing from the beginning, people, the places, even the colloquial speech of the country form the fabric of much of her best work.
Mansfield's stories were the first of significance in English to be written without a conventional plot. Supplanting the strictly structured plots of her predecessors in the genre (Edgar Allan Poe, Rudyard Kipling, H. G. Wells), Mansfield concentrated on one moment, a crisis or a turning point, rather than on a sequence of events. The plot is secondary to mood and characters. The stories are innovative in many other ways. They feature simple things - a doll's house or a charwoman. Her imagery, frequently from nature, flowers, wind and colours, set the scene with which readers can identify easily.
Themes too are universal: human isolation, the questioning of traditional roles of men and women in society, the conflict between love and disillusionment, idealism and reality, beauty and ugliness, joy and suffering and the inevitabilty of these paradoxes. Oblique narration (influenced by Chekhov but certainly developed by Mansfield) includes the use of symbolism - the doll's house lamp, the fly, the pear tree - hinting at the hidden layers of meaning. Suggestion and implication replace direct detail.
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